It's seriously playful and - like his more recent productions - grows increasingly minimal and skeletal as it unfolds, with devastating results. There are contemporary grime rhythms, heavy bass cuts and stripped-back techno twisters from the likes of Ikävä Pii, Azu Tiwaline and Ayesha as well as plenty of some unreleased exclusives and a host of his own remixes and originals. On this week's podcast, he threads together a diverse array of sounds.
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Most recently, he has put out his 'Psyllium / Eat The Rich' release on Timedance featuring two highly detailed, sub-heavy bangers. Releasing mostly on his own DECISIONS label as well as the likes of Timedance, the multidisciplinary artist works across a number of creative fields from design and art direction to mixing music. He layers up textures and atmospheres like a painter spreads oil on canvas and does so with both eyes firmly on the future. His tracks are brilliantly curious and drip with personality while also making you want to move. It's as adventurous and asymmetrical as you would expect from this always innovative artist.Īir Max ’97 concocts rhythms and manipulates synths in weird and wonderful ways. There are lots of edits, often many tracks are layered up at once and the whole thing plays out with many an unpredictable twist and turn. "Slippery rhythms, levitating environments and everything between these orbits," as he describes it.
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While his album goes beyond the dance floor, here he mixes those styles with what he would play in a club. With this week's podcast, Tristan - who is also a member of Asa Tone with Melati Malay and Kaazi - aimed to show off all his sides as a producer, listener and DJ. It's resulted in an album that bristles with glitches, ambient pads, downtempo drums, digital perc and micro-house details that succeeds in its mission to blend the made with the played. Released on Wisdom Teeth just last week, the Human Pitch label boss approached the album as a gardener might approach a landscape: using his array of machines and modular synths he let the music write itself. Mexico-city based Tristan Arps blurred the lines between the synthetic and the organic on his second full-length, Sculpturegardening.